Top of the Line
Representatives from Martin Scorsese's Film Foundation and Warner Bros. talk about their collaboration on the new restoration set to screen at Tribeca.
The Finals Cut
Director Jeff Fine and lead editor Trevor MacKinnon discuss embedding with the Boston Celtics and turning around footage as fast as they carved through the Eastern Conference.
The Music That Makes Us Watch
Sara Bareilles tells IndieWire about the Season 3 climactic song and just how meta things get for the cast.
Get In the Comments
Host Sam Reich, executive producer Paul Robalino, and production designer Chloe Badner tell IndieWire about turning a hotel floor into a set of setpieces for "Ratfish."
Filmmaker Interview
Richard Linklater and his costume, hair, and makeup teams on the inspirations (Brad Pitt in "Fight Club") and the practical craft of Gary becoming Ron and seven other hitmen.
It's Been Here The Whole Time
Sam Says: Guess how many edits it takes to get the timing of "Game Changer" episodes perfect.
VFX
The "Furiosa" VFX team leaned on CG to enhance the stunt-driven action and signature Wasteland environments and AI to help Alyla Browne more resemble Anya Taylor-Joy.
Craft Considerations
For its second season, the Max drama became even more expansive in recreating Tokyo in the 1990s.
The directors of "Deadly Influence: The Social Media Murders" talk about how what they learned about social media from "House of Hammer" led to a new form of storytelling.
A Bale of Heyyyyyy
Producer and director Ed Watkins tells IndieWire about making his delightful new documentary — and just how normal same-sex behavior is in the animal kingdom.
Craft Considerations
Production designer Deborah Riley, visual effects supervisor Stefen Fangmeier, sound designer Paula Fairfield, and composer Ramin Djawadi share how they crafted a consequential threat to human existence.
BVE
How do you make "Interview with the Vampire" even more outlandish? Welcome to the costumes at Théâtre des Vampires.
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