Alerts & Newsletters

By providing your information, you agree to our Terms of Use and our Privacy Policy. We use vendors that may also process your information to help provide our services. This site is protected by reCAPTCHA Enterprise and the Google Privacy Policy and Terms of Service apply.

Jim Hemphill

Jim Hemphill

Jim Hemphill is a filmmaker, film historian, and Ridley Scott disciple whose writing on film has appeared in Film Comment, American Cinematographer, Variety, Filmmaker Magazine, and many other outlets. After receiving his B.F.A. from Columbia College in Chicago and his graduate degree from the film school at USC, Jim began his career by writing and directing the micro-budget horror movie “Bad Reputation,” which had international distribution from Warner Bros. and Twentieth-Century Fox. He is also the writer-director of the award-winning romantic dramedy “The Trouble with the Truth” and has been a screenwriter for hire on several movies that he may or may not take responsibility for depending on his mood. His movies have screened at the Sundance Film Festival, American Cinematheque, Facets Multimedia, Alamo Drafthouse, and other festivals and art houses, and he is the author of “The Art and Craft of Directing TV: Conversations With Episodic Television Directors.” He has worked as a researcher for the Academy of Motion Picture Arts and Sciences and regularly moderates Q&As at Quentin Tarantino’s New Beverly Cinema and the Egyptian and Aero Theatres in Los Angeles. His audio commentaries can be heard on Blu-rays and DVDs from the British Film Institute, Kino Lorber, Shout! Factory and other labels, and he was one of the original hosts of the American Cinematographer podcast. He now co-hosts IndieWire’s Filmmaker Toolkit podcast and is a features writer for the site specializing in filmmaking craft. He hopes to someday own his own 70mm print of “Boogie Nights.”
Latest by Jim Hemphill
Emilio Estevez and Andrew McCarthy
Interview
The "St. Elmo's Fire" and "Pretty in Pink" star talks about his new documentary "Brats" and how his relationship to the movies he made almost 40 years ago has changed.
Eva Marie Saint and Cary Grant in 'North by Northwest'
Representatives from Martin Scorsese's Film Foundation and Warner Bros. talk about their collaboration on the new restoration set to screen at Tribeca.
GHOST, Demi Moore, Patrick Swayze, 1990, (c) Paramount/courtesy Everett Collection
The author of "Ghost," "Jacob's Ladder," and "My Life" talks to IndieWire about his new memoir and the lessons he has learned after over 50 years in the film business.
Tokyo Vice
Craft Considerations
For its second season, the Max drama became even more expansive in recreating Tokyo in the 1990s.
Ed Parze, the father of Stephanie Parze speaks about his daughter, her life and the Stephanie Parze foundation
The directors of "Deadly Influence: The Social Media Murders" talk about how what they learned about social media from "House of Hammer" led to a new form of storytelling.
Larry Semon's The Sawmill
Didn't Need Dialogue — They Had Faces!
The largely forgotten work of unheralded but influential Vitagraph Studios is given new life thanks to the work of archivists and historians at the Library of Congress.
THE MURDAUGH MURDERS, Bill Pullman as Alex Murdaugh, 2023. photo: ©Lifetime / Courtesy Everett Collection
The star of Lifetime's "Murdaugh Murders: The Movie" told an American Cinematheque audience how and why he took on the role of a notorious killer in a departure from his nice guy image.
Viggo Mortensen in 'The Dead Don't Hurt'
The writer, director, and star on following the examples of classic Hollywood directors Howard Hawks and Budd Boetticher as well as people he's worked with like David Cronenberg and Jane Campion.
Chris Wilcha in "Flipside"
"Flipside" director Chris Wilcha and executive producer Judd Apatow describe the unusual path their profoundly moving documentary took to the screen.
'Furiosa: A Mad Max Saga'
Filmmaker Toolkit Podcast
The "Furiosa" director tells IndieWire why he never thought the "Mad Max" franchise would last decades — and why it ultimately did.
MAD MAX, Joanne Samuel, Brendan Heath, 1979. ©American International Pictures/courtesy Everett Collection
"If there wasn't a Grant Page, there wouldn't have been a 'Mad Max,'" Miller tells IndieWire as the series' fifth installment, "Furiosa," hits theaters.
GHOST, from left: Demi Moore, Patrick Swayze, 1990. ©Paramount/courtesy Everett Collection
Unchained Melody
In this exclusive excerpt from new memoir "It's Only a Movie," screenwriter Bruce Joel Rubin describes the circuitous path to making his 1990 romantic thriller.
Top of The Line Weekly
A weekly digest that captures the best of our Top of the Line coverage.

By providing your information, you agree to our Terms of Use and our Privacy Policy. We use vendors that may also process your information to help provide our services. This site is protected by reCAPTCHA Enterprise and the Google Privacy Policy and Terms of Service apply.

Must Read
PMC Logo
IndieWire is a part of Penske Media Corporation. © 2024 IndieWire Media, LLC. All Rights Reserved.